/tagged/Identity/page/2

We’re pleased to welcome Pentagram’s Paula Scher to the Identity Forum

To most within the global design community, Paula Scher needs little by way of introduction. But here is an excerpt taken from her bio on the Forum:

“For over three decades Paula Scher has been at the forefront of graphic design. Iconic, smart and unabashedly populist, her images have entered into the American vernacular.

Scher has been a principal in the New York office of the distinguished international design consultancy Pentagram since 1991. She began her career as an art director in the 1970’s and early 80’s, when her eclectic approach to typography became highly influential. In the mid-1990s her landmark identity for The Public Theater fused high and low into a wholly new symbology for cultural institutions, and her recent architectural collaborations have re-imagined the urban landscape as a dynamic environment of dimensional graphic design.

Her graphic identities for Citibank and Tiffany & Co. have become case studies for the contemporary regeneration of classic American brands.  Scher has developed identity and branding systems, promotional materials, environmental graphics, packaging and publication designs for a broad range of clients that includes, among others, Bloomberg, Coca-Cola, Bausch and Lomb, Jazz at Lincoln Center, the Metropolitan Opera, the New York City Ballet, the New York Philharmonic, the Detroit Symphony Orchestra, the New Jersey Performing Arts Center, the New 42nd Street, the New York Botanical Garden, the Robin Hood Foundation and The Daily Show With Jon Stewart. In 1996 Scher’s widely imitated identity for the Public Theater won the coveted Beacon Award for integrated corporate design strategy. She serves on the board of The Public Theater, and is a frequent design contributor to The New York Times, GQ and other publications. In 2006 she was named to the Design Commission of the City of New York…”

Paula marks her joining the Forum with an excellent posting entitled:

What they don’t teach you about identity design in design schools…

As always, comments welcome.

AOL Previews New Brand Identity for Its Future as an Independent Content-Driven Company

NEW YORK - (Business Wire) AOL today previewed its new brand identity for its future as an independent company committed to creating the world’s most simple and stimulating content and online experiences.

The new AOL brand identity is a simple, confident logotype, revealed by ever-changing images. It’s one consistent logo with countless ways to reveal. The new brand identity will be fully unveiled on December 10, when AOL common stock begins trading on the New York Stock Exchange.

“Our new identity is uniquely dynamic. Our business is focused on creating world-class experiences for consumers and AOL is centered on creative and talented people - employees, partners, and advertisers. We have a clear strategy that we are passionate about and we plan on standing behind the AOL brand as we take the company into the next decade,” said Tim Armstrong, Chairman and Chief Executive Officer of AOL.

AOL partnered with Wolff Olins, a global brand and innovation consultancy, to develop a brand identity that speaks to the company’s future. The identity itself is a platform for expression and creativity reflecting the content, products and services which AOL offers. Some of the world’s best creative artists, including Universal Everything, GHAVA and Dylan Griffin created art and animations for the brand.

“Historically brand identity has been monolithic and controlling, little more than stamping a company name on a product. AOL is a 21st century media company, with an ambitious vision for the future and new focus on creativity and expression, this required the new brand identity to be open and generous, to invite conversation and collaboration, and to feel credible, but also aspirational. We’re delighted to have worked so closely with the AOL leadership team to create something bold and exciting that sets AOL apart,” said Karl Heiselman, CEO of Wolff Olins.

Source: www.earthtimes.org

Additional: What designers think of AOL’s new logo

"For me, an iconic brand is one that in itself brilliantly advances a leader’s vision, not one that just goes along for the ride."

Dubai-based branding agency creates a new identity for the ICC’s Global AIDS Initiative

Think Wise


“Earlier in the year, Breathe, the Dubai-based independent brand consultancy, were commissioned by the International Cricket Council (ICC), to develop a top-line strategy, naming and brand identity programme for THINK WISE – a global partnership initiative between the International Cricket Council (ICC), UNAIDS, UNICEF and the Global Media AIDS Initiative (GMAI).

Using the power of cricket to help tackle key issues around HIV and AIDS, THINK WISE has been designed to encourage and motivate safer behaviour and tackle stigma against people living with HIV throughout the world’s diverse network of cricket playing countries. The initiative utilises the role that sport plays in helping to bring people together to tackle key issues and encourage social change.

THINK WISE was launched at this year’s ICC World Twenty20 cricket tournament in London, with 2009 also marking ICC’s Centenary.”

Source: Press Release, Breathe Branding creates a new identity for the International Cricket Council’s Global AIDS Initiative

The World’s Top Ten Identity Firms. Your choice.

My Top Ten was based on: perception, admiration and, in a couple of cases, an experience of working with:

  1. Interbrand Value
  2. Pentagram Quality
  3. Wolff Olins Fresh
  4. Lippincott Calculated
  5. The Brand Union Smart
  6. Saffron Clever
  7. Futurebrand Understated
  8. Siegel+Gale Repositioned
  9. Johnson Banks Thoughtful
  10. Landor Busy

However, it’s probably worth taking my 10 year career (to date) into consideration too.

"Absolutely sound. I suspect Rodkin sees that consumers are increasingly well informed and not stupid: the real brand is the one accepting ultimate responsibility for quality and value."

“Good work fella!”

“Format treatment for non-toxic paint brand”

Design Week, 21 May 2009




Format Design Studio has created the identity for London-based environmentally friendly decorating company Paint The Town Green.

The company, which will launch on World Environment Day on 5 June, will use ecofriendly, non-toxic and durable paint, which it will also sell under its own brand. It is the brainchild of decorator Phil Robinson, who has previously worked with Property Ladder presenter Sarah Beeny and Location, Location, Location star Phil Spencer.

Robinson says, ‘We wanted the brand to be a very simple, easy-to-recognise logo, which would tell you what the company is all about. We also wanted to avoid any of the intimidating feelings you can sometimes get when dealing with decorators.’ ”

Read on…

Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 1)

One cold January morning, as I walked to the tube station, I stopped off at a newspaper stand to pick up a copy of the Financial Times. Being quite late in the day, having arrived at Heathrow just a few hours before, I made what I thought to be an obvious assumption that copies of the newspaper would be scarce. I was wrong and what transpired was an odd conversation that has stuck in my mind since:

Me: Do you have any copies of the FT left?
Vendor: Do I. I’ve got too many.
Me: Over order?
Vendor: Nope, I guess nobody is interested anymore.

Several months before I left the UK for the holiday season – a failed attempt to disconnect from the media for a few weeks – the imminent recession and economic downturn was already starting to take shape. In a spurt of confusion, the glass quickly turned from being half-full, as the world’s media began to ‘stoke a fire’ that quite clearly has ‘sucker-punched’ the commercial world in to even deeper depression.

Since then, confidence has reached an all time low, illustrated by consumer led, post-war, cost-cutting measures and all too cautious buying practice. However, for a few, things are not so bad – the popularity of online gaming as well as sales of lipstick and cake mix appear to have significantly increased.

The world’s media painted pictures of the board room with CEOs and company directors reacting badly, showing little or no courage in their own convictions, projecting a distinct lack of leadership and shying away from the bullish ambition they were once credited so generously for. As a result, we have seen the dramatic drop of share-prices, the crumbling of financial institutions, industry collapse and the need for governmental “bail-outs”. The repressed outlook continues to darken our streets and I, for one, have had just about enough.

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Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 2)

Like clockwork, during times of financial difficulty, balance sheets are reviewed, snap-decisions made and marketing budgets frozen – the Corporate Branding and Identity profession has certainly felt the pinch. But as professionals, we have all preached, until we are blue in the face, about how cutting budgets, used to sustain brand positioning and market share, is but a knee-jerk reaction and, in the wider scheme of things, will provide nothing but a short-term solution – directly fuelling an even longer-term road to recovery. Predictably, our peers have also published commentary detailing how history has shown a recession to be a great time for maintaining and growing brands – providing many proven examples of some of the world’s most successful brand launches and marketing campaigns.

Since Q4 2008, a multitude of additional “thought-pieces” have since arrived in my inbox and written by recognised professionals, mentors and peers, each one intent on stating their case. However, I have found only a few to have been relevant and therefore, inspirational.

Recently, after having first commissioned research, Alan Siegel, founder of Siegel+Gale, wrote about the need for keeping things simple – subtly cross-referencing his own expertise on the matter, of course. In summary, Siegel blames much of our distrust in the brands we once endorsed to the use of unnecessarily complex language and vocabulary – jargon. His conclusion, for us all to unite, take-arms and ‘refuse to do business with any organisation that violates the need to know and understand’. Siegel demands clarity and transparency, forcing government, financial and commercial sectors to articulate and communicate better by using clear, concise and uncomplicated messaging – literally ‘cutting the fluff’ to restore trust.

Whether you agree with Siegel’s thoughts or not, for me, what made his piece all the more insightful, all the more compelling, was the use of appropriate and relevant research. Choosing to open dialogue with the client’s customer and to not simply rely on self-opinionated ego or, even worse, the dated and published insight of others.

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Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 3)

However, on reflection, to come out of the current climate on top, engaging and entering in to dialogue with the end-user is but half of the conversation needed.

Captains of industry, once held in high esteem and celebrated by the press, have become bearish and fearful and, when leaders refuse to dip their toe in to the sea, is it any wonder that no-one else will follow? Open dialogue, in both directions, is certainly needed and paves the way in helping us to paint a much clearer picture.

We need our clients to really share with us what it is that is keeping them awake at night. In turn, we can then facilitate truthful dialogue between the client and the customer. Of course, like most things marketing-related, I very much doubt I am telling you anything you don’t already know, it’s just, that if agency newsletters and current thought-pieces are anything to go by, no-one appears to doing anything about it.

At first, the answer may not be that obvious, but by making an increased effort to listen and learn, ensuring the most appropriate and flexible methods are used, persuade clients and consumer to really trust and share their fears and anxieties – innovation will take form and succeed and the economy will grow. The future promises to be an exciting place for us all and already we have started to see major corporate identity activity; with AIG becoming AIU overnight and Merrill Lynch initiating a corporate identity change, following its acquisition by the Bank of America. The outcome of the latter, is eagerly anticipated and for obvious iconic reasons.

[continue]

Paula Scher: Type is Image by Hillman Curtis
We’re pleased to welcome Pentagram’s Paula Scher to the Identity Forum
AOL Previews New Brand Identity for Its Future as an Independent Content-Driven Company
For me, an iconic brand is one that in itself brilliantly advances a leader’s vision, not one that just goes along for the ride.
Dubai-based branding agency creates a new identity for the ICC’s Global AIDS Initiative
Absolutely sound. I suspect Rodkin sees that consumers are increasingly well informed and not stupid: the real brand is the one accepting ultimate responsibility for quality and value.
“Good work fella!”
Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 1)
Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 2)
Corporate Identity: we’re in crisis too but we should be able to recover faster (Part 3)

About:

Having worked with a number of the world’s most recognised branding agencies, my contributions have covered a full spectrum of brand development and rebranding, from strategic positioning through to implementation, for such clients as Action for Children, Citibank, EDS, FremantleMedia, Havas Digital, MPG, PepsiCo. International, Reuters, Smith & Nephew, Waitrose, Wachovia and Wyeth.

I am passionate about film, cinema, branding, design, typography, digital media, communications and the Big Wide World – fortunate to have worked extensively throughout Europe, Scandinavia, the Americas and now, the Middle East.

Visit my website

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